January suddenly seems like a terribly long time ago, but if you can cast your mind back that far you may remember a remarkable album released just mere weeks into the then fresh, unsullied year that was 2014. Full of driving drums, doom-filled fuzz guitars and perfect monochrome vocal harmonies, September Girls’ debut album Cursing the Sea shot into the new year with all the excitement, vim and vigour of an outrageous New Year’s Eve party.
Critics rejoiced and new fans were birthed, kicking and screaming to the front rows of gigs and festivals across the globe. Drawing inspiration from the likes of Phil Spector, The Velvet Underground, The Cure, My Bloody Valentine and The Jesus And Mary Chain, the five-piece play reverb-soaked noise-pop of the finest order and have been described as “a combination of razorwire guitar lines, thudding Moe Tucker beats and girl group melodicism”.
Cursing the Sea garnered widespread coverage, with a Guardian New Band of the Day piece, NME radar and 8/10 review and a 4* review in The Fly as well as coverage in The Sunday Times, The Observer and Uncut. The Financial Times said that they were “like a less malevolent Jesus and Mary Chain – impressive power, conjuring exactly the right balance between noise and sweetness”, while Time Magazine no less named them as one of the 11 best new bands in the world.
As their year of triumph draws to a close, September Girls return with a brand new four track EP entitled Veneer, recorded deep underground in Guerilla Studios, Dublin. Whilst still retaining their signature drenched feedback sound the tracks have a greater depth and polish than the album recordings. Each of the four tracks is written and sung by a different member of the band. The perfect way to round off September Girls’ incredible year, the Veneer EP builds on the foundations of Cursing The Sea to offer a tantalising glimpse into the band’s future as purveyors of the finest dark-hearted pop in town.
Tracklist: Veneer / Black Oil / Melatonin / Butterflies